While our physical surroundings fashion our identities, we, in turn,
fashion the natural elements in which or with which we live. This
complex interaction between the human and the non-human already
resonated in Shakespeare's plays and poems. As details of the early
modern supra- and infra-celestial landscape feature in his works, this
dictionary brings to the fore Shakespeare's responsiveness to and acute
perception of his 'environment' and it covers the most significant uses
of words related to this concept. In doing so, it also examines the
epistemological changes that were taking place at the turn of the 17th
century in a society which increasingly tried to master nature and its
elements. For this reason, the intersections between the natural and the
supernatural receive special emphasis. All in all, this dictionary
offers a wide variety of resources that takes stock of the 'green
criticism' that recently emerged in Shakespeare studies and provides a
clear and complete overview of the idea, imagery and language of
environment in the canon.