This practical handbook is invaluable for anyone performing, teaching,
studying or simply wanting a new way to enjoy Shakespeare. It provides
an outline of Meisner's work and legacy, a discussion of that legacy in
the light of the enduring global popularity of Shakespeare, and a wealth
of practical exercises drawn from Meisner's techniques.
Shakespeare writes about the truth in human relationships and human
hearts. Sanford Meisner's work unlocks truthful acting. They would seem
a perfect match. Yet, following Meisner's note to his actors that 'text
is your greatest enemy', Shakespeare and Meisner are often considered
'strange bedfellows'.
The rhetorical complexity of Shakespeare's text can often be perceived
as rules an actor must learn in order to perform Shakespeare 'properly'.
Meisner's main rule is that 'you can't say ouch until you've been
pinched': in other words, an actor must genuinely feel something in
order to react in a performance which is alive to the moment. This book
explores how actors can use Meisner's tools of 'acting is reacting' to
discover the infinite freedom within the apparent constraints of
Shakespeare's text.