Hard-edged realism determines Sergej Vutuc's black-and-white
photographs, but at the same time, it is possible to see the influence
of hazardous acrobatics. Vutuc's involvement in the skater scene is
visceral. He has followed it for years in his photographic work; thus,
an imposing body of photographs has arisen, which, for the first time in
this book, enables a particular dynamic to develop. The truly
sensational aspect of this predominantly youth/underground phenomenon is
given proper emphasis. At the same time, in a wonderful yet simple
manner, the early positions in conceptual art represented by Ed Ruscha
and Dan Graham are naturally assumed once more, whereby public space,
its structuring, and its socially conditioned presence are granted
particular attention. Since they are characteristic of the experience of
everyday life of this subculture, perception and aesthetic appreciation
are honed to such an extent that we feel we are dealing with a
completely new form of artistic expression.