Joss Whedon's Serenity (2005) is at once a symbol of failure and a
triumphant success of fan activism. The cult television icon's feature
directorial debut functions as an extension of his canceled Fox series
Firefly. Mourning their loss, fans of the show fought for more, making
Serenity not just a cult film but a monument to cultdom. A minor
box-office success upon first release, Serenity continues to be a
sci-fi favorite, attracting fans, cosplayers, fan fiction authors, and
more to conventions and charity screenings internationally.
This book examines the relationship between the film and its peculiar
cult following, largely established before a cult object even existed,
and situates the film in relation to the series and its other transmedia
continuations to plumb the status of different media texts and their
platforms. Additionally, it explores those cult features of
Serenity--a playful engagement with genre, with high and low culture,
with gender roles--that predisposed it to such a fierce following, one
that would follow Whedon into future series and blockbuster projects
such as The Avengers.