This book investigates the September 11, 2001 attacks as a case study of
cultural trauma, as well as how the use of widely-distributed,
easily-accessible forms of popular culture can similarly focalize
evaluation of other moments of acute and profoundly troubling historical
change. The attacks confounded the traditionally dominant narrative of
the American Dream, which has persistently and pervasively featured
optimism and belief in a just world that affirms and rewards
self-determination. This shattering of a worldview fundamental to
mainstream experience and cultural understanding in the United States
has manifested as a cultural trauma throughout popular culture in the
first decade of the twenty-first century. Popular press oral histories,
literary fiction, television, and film are among the multiple,
ubiquitous sites evidencing preoccupations with existential crisis,
vulnerability, and moral ambivalence, with fate, no-win scenarios, and
anti-heroes now pervading commonly-told and readily-accessible stories.
Christine Muller examines how popular culture affords sites for
culturally-traumatic events to manifest and how readers, viewers, and
other audiences negotiate their fallout.