Although musical tributes play a significant role within contemporary
culture and despite their relative longevity as a form of entertainment,
little serious research has been published on the subject. This book
makes an important contribution to the understanding of the phenomenon
of the tribute band by linking it to other types of imitative
entertainment such as 'ghost', cover and parody bands. It also
demonstrates the impact of a changing cultural zeitgeist on the
evolution of popular music tributes, showing how music tributes can be
related to other examples of retrospection. These influences are linked
to the impact of new technology in making the art of paying tribute
possible, showing how certain developments have created the musical
equipment and apparatus for self-promotion, marketing and communication
with fans. Whilst critical opinion on this type of entertainment remains
divided, the author challenges negative responses through an
interrogation of critiques of imitative cultural practices within a
broader historical and cultural framework. The diversity of the homage
industry is highlighted and the book avoids concentrating solely on
well-known tributes, looking too, at the work of those operating in the
'alternative' tribute scene. The book explores the working life of
musicians involved in the 'bargain basement' end of the live music
industry, using interviews and first hand observations. Finally, through
an examination of the audience at tribute events, fandom and associated
social and psychological aspects of participation are explored.
