Thanks to T. S. Eliot's For Lancelot Andrewes: Essays on Style and Order
(1928), the name of the great divine (1555-1626) lives, but his work is
little known. This selection, the first for many years, reintroduces
Andrewes as a substantial, engaging writer whose sermons, which 'rank
with the finest English prose of their time' (Eliot), and other work
breathe the energy of a turbulent, formative period.
In the pulpit, Andrews initiated the 'witty' or 'metaphysical' style of
sermonising, erudite, ornate, punning, allusive, full of sharp conceits
and acutely analytical, yet frequently dramatic and poetic. He was
admired by Lyly, Nashe and other contemporaries. Despite this fame, he
remained a gentle, learned man, refusing two bishoprics offered by
Elizabeth and trying, not always successfully, to steer clear of
controversy. Under James I he became Bishop of Chichester, Ely, and
finally Winchester, and contributed to the King James Bible. His
Devotions affected Newman and churchmen of the nineteenth century. This
good, lucid voice of the morning of Anglicanism has a place today, as a
major prose writer and as a divine speaking to a Church whose memory has
become foreshortened by politics and fashion.
P. E. Hewison lectures in English at the University of Aberdeen.