Frank O'Hara (1926-66) is among the most delightful and radical poets of
the twentieth century. He is celebrated for his apparently
unpremeditated poems, autobiographical and immediate ('any time, any
place'). This is not the whole O'Hara: he may have scribbled poems on
serviettes, but others he worked on with intense concentration, creating
sequences that are inexhaustibly nuanced, full of surprise, heartbreak
and laughter. There are analogies between his work and that of the
painters he championed, Pollock, Kline and de Kooning among them.
He is resolutely metropolitan, and his metropolis is New York City. He
brilliantly captured the pace and rhythms, quandaries and exhilarations,
of its mid-twentieth-century life.