A meditation on how environmental change and the passage of time
transform the meaning of site-specific art
In the decades after World War II, artists and designers of the land art
movement used the natural landscape to create monumental site-specific
artworks. Second Site offers a powerful meditation on how
environmental change and the passage of time alter and transform the
meanings--and sometimes appearances--of works created to inhabit a
specific place.
James Nisbet offers fresh approaches to well-known artworks by Ant Farm,
Rebecca Belmore, Nancy Holt, Richard Serra, and Robert Smithson. He also
examines the work of less recognized artists such as Agnes Denes, Bonnie
Devine, and herman de vries. Nisbet tracks the vicissitudes wrought by
climate change and urban development on site-specific artworks, taking
readers from the plains of Amarillo, Texas, to a field of volcanic rock
in Mexico City, to abandoned quarries in Finland.
Providing vital perspectives on what it means to endure in an
ecologically volatile world, Second Site challenges long-held beliefs
about the permanency of site-based art, with implications for the
understanding and conservation of artistic creation and cultural
heritage.