This volume brings together new approaches to music history to reveal
the interdependence of music and religion in nineteenth-century culture.
As composers and performers drew inspiration from the Bible and new
historical sciences called into question the historicity of Scripture,
controversies raged over the performance, publication and censorship of
old and new musical forms. From oratorio to opera, from parlour song to
pantomime, and from hymn to broadside, nineteenth-century Britons
continually encountered elements of the biblical past in song. Both
elite and popular music came to play a significant role in the
formation, regulation and contestation of religious and cultural
identity and were used to address questions of class, nation and race,
leading to the beginnings of ethnomusicology. This richly
interdisciplinary volume brings together musicologists, historians,
literary and art historians and theologians to reveal points of
intersection between music, religion and cultural history.