Aimed at students and educators across all levels of Higher Education,
this agenda-setting book defines what screen production research is and
looks like-and by doing so celebrates creative practice as an important
pursuit in the contemporary academic landscape. Drawing on the work of
international experts as well as case studies from a range of forms and
genres-including screenwriting, fiction filmmaking, documentary
production and mobile media practice-the book is an essential guide for
those interested in the rich relationship between theory and practice.
It provides theories, models, tools and best practice examples that
students and researchers can follow and expand upon in their own screen
production projects.