In this ground-breaking comparative study of Scottish and Irish
Romanticism, leading scholars examine literary relations between
Scotland, Ireland, and England in the period 1760-1830, an age of
political upheaval and constitutional change that witnessed the Irish
Rebellion, the Act of Union, major internal migration, and the cultural
repositioning of Ireland and Scotland within a newly conceived 'United
Kingdom.' Adopting an 'archipelagic' approach, contributors reveal how
national and regional factors played a pivotal role in shaping the
literary forms and cultural reception of Romantic aesthetics, with the
Scottish-Irish binary serving as a ubiquitous point of reference. The
essays extend existing work on the national tale and historical novel to
identify previously unexplored areas of comparative inquiry such as
national song, topical satire and verse romance, national painting, and
travel literature. The book offers an exciting new map of the cultural
geography of the Romantic era, and establishes a dynamic methodology for
future comparative work.