This book analyses the uses of Arnold Schwarzenegger as a foreign star
in Hollywood through a film philosophical, de-westernizing and sonic
critical framework. It offers very close readings of the film texts, of
the roles Schwarzenegger performs, and the rhetorical strategies he
adopts outside his film performances to show that in spite of attempts
to occupy the position of an emblematic member of the U.S. national body
Schwarzenegger remains irrevocably outside as an accented migrant body
continuously accumulating markers of belonging that by their very
necessity attest to their insufficiency. The book's central project is
to trace back, from the uses to which a migrant star such as
Schwarzenegger is put on the screen, the construction of a sense or idea
of a U.S. national community through the cinema. Given that the appeal
to the American myth of an immigrant nation that promises to erase
difference is fundamental to the Schwarzenegger star persona, the
central aim of this book is to explore the uses of his stardom as an
embodiment of the promise of America and its contradictions and
exclusions.