Schumann's genius as a composer is well known; perhaps less well known
is the fact that he was also a gifted music critic who wrote hundreds of
perceptive essays, articles, and reviews for the Neue Zeitschrift fur
Müsik, the influential music journal he founded in 1834.
The present work, translated and edited by noted critic Henry Pleasants,
contains 61 of the most important critical pieces Schumann wrote for
Neue Zeitschrift between 1834 and 1844. The articles are arranged in
chronological order, with ample annotation, demonstrating not only
Schumann's development as a writer and critic but also the evolution of
music in Europe during a decisive decade.
In addition to such major set pieces as Florestan's Shrovetide Oration,
the essays on Berlioz's Symphonie Fantastique and Schubert's Symphony in
C Major, and the imaginative and literate The Editor's Ball, this volume
offers discerning observations on Mendelssohn, Chopin, Beethoven, Liszt,
Cherubini, and other giants. Also included are critical considerations
of an ensemble of minor masters: Sphor, Hiller, Moscheles, Hummel, and
Gade, among others. The result is a rich and representative picture of
musical life in the mid-19th century.
Schumann's criticism has long been famous for its perceptiveness and
literary style. Those qualities are in ample evidence in this treasury
of his finest critical writings, now available to every music lover in
this inexpensive, high-quality edition.