Scape, a poised and attentive debut collection by Joshua Harmon,
engages with various landscapes--from the constructed and debased world
of parking lots, potato chip factories, and cul-de-sac traceries to the
"rural equation" of woods, fields, and "clouds' crumpled page" to create
a series of conversations and engagements with the idea of the natural.
Through his precise observations, Harmon defines landscape--the word and
the idea--through an insightful and meticulous relationship with
language. For Harmon, landscape is never static; instead his poems map a
constantly changing terrain, in which the interior is imposed on the
exterior as a frame for seeing it.