The American Gothic novel has been deeply shaped by issues of race and
raciality from its origins in British Romanticism to the American Gothic
novel in the twenty-first century. Savage Horrors delineates an
intrinsic raciality that is discursively sedimented in the Gothic's
uniquely binary structure. Corinna Lenhardt uncovers the destructive and
lasting impact of the Gothic's anti-Black racism on the cultural
discourses in the United States. At the same time, Savage Horrors traces
the unflinching Black resistance back to the Gothic's intrinsic
raciality. The African American Gothic, however, does not originate
there but in the Black Atlantic - roughly a decade before the first
Gothic novel was ever written on American soil.