Petronius lived during the reign of the notorious emperor Nero, a writer
in a decadent empire, and in Frederic Raphael he finds a translator who
brings his words vividly alive. Petronius' Rome is not the noble
civilisation of classical ideals; his Romans are lascivious, amoral and
stylish, inhabiting a louche world of ostentatious, nouveau riche
extravagance and flirtation with the seductive menace of the Roman
underclass. In Raphael's hands, the Satyrica becomes a modern novel,
Petronius a contemporary. Freed of the weight of classical decorum, the
Satyrica is racily subversive, scandalously entertaining. This work,
writes Raphael, has always been excluded from the curriculum: it offers
no improving pieties. Petronius' - and Raphael's - ancient Rome is
recognisably the city of Pasolini and Fellini as much as of Virgil.
Cover drawing: A study for the Satyrica by Sarah Raphael, January 2009
(reproduced by permission of the Estate of Sarah Raphael). Cover design
by StephenRaw.com.