In this major study Rhiannon Goldthorpe takes up the challenge of
Sartre's diversity in an original and provocative way. Her detailed and
comprehensive exploration of the relationship between the theoretical
and literary works pays due attention to their characteristic
complexity. The discussion of La Nausée, Les Mouches, Huis clos, Les
Mains sales and Les Séquestrés e'Altona, for example, does not present
these literary texts as mere 'illustrations' of Sartre's theories of
consciousness, imagination and emotion, but as subtle philosophical and
linguistic investigations in their own right. In addition, by reference
to recently published fragments from Sartre's earlier work, Goldthorpe
calls into question existing views of Sartre's intellectual development
and provides a new history of the crucial Sartrean concept of
'commitment'.