A remarkable and bracing collection of "classic anti-war writing"
(Richard Flanagan) from Croatian writer Miljenko Jergovic, whose
piercing prose recalls Kurt Vonnegut and Aleksander Hemon
Miljenko Jergovic's remarkable début collection of stories, Sarajevo
Marlboro, earned him wide acclaim throughout Europe. In "melancholy,
dreamlike" prose, the stories in Sarajevo Marlboro "recall Alan
Lightman's Einstein's Dreams and Italo Calvino's Invisible Cities,
but Jergovic's book is the strongest of the three" (Maud Newton).
Croatian by birth, Jergovic spent his childhood in Sarajevo and chose to
remain there throughout most of the war. These stories are distinctly of
the material world, and they are shaped by Jergovic's deeply personal
vision, subterranean humor, and a razor-sharp understanding of the fate
of the city's young Muslims, Croats, and Serbs - the minute details of
their interior lives in the foreground, the killing zone in the
background.