Beckett's plays have attracted a striking range of disability
performances - that is, performances that cast disabled actors,
regardless of whether their roles are explicitly described as 'disabled'
in the text. Grounded in the history of disability performance of
Beckett's work and a new theorising of Beckett's treatment of the
impaired body, Samuel Beckett and Disability Performance examines four
contemporary disability performances of Beckett's plays, staged in the
UK and US, and brings the rich fields of Beckett studies and disability
studies into mutually illuminating conversation. Pairing original
interviews with the actors and directors involved in these productions
alongside critical analysis underpinned by recent disability and
performance theory, this book explores how these productions emphasise
or rework previously undetected indicators of disability in Beckett's
work. More broadly, it reveals how Beckett's theatre compulsively
interrogates alternative embodiments, unexpected forms of agency, and
the extraordinary social interdependency of the human body.