I know the occurrence of objects
in this climate. Even music, if left
to our weather, will warp within days.
Conceived in the years before Hurricane Katrina and deeply influenced by
its aftermath, Saltwater Empire is a brilliant assemblage of
geographical metaphor expressed in original lyrics, text from The
Tempest, and the voices of New Orleans:
I come from all over New Orleans. What I feel needs to be said
about this is that everything was done wrong.
As Raymond McDaniel's poems enter the ecological, political, and
religious miasma of the Gulf Coast, their moral, philosophical, and
literary complexity offer an uncommonly perceptive look at cataclysmic
disaster, human cruelty, and cultural resilience.
God help us we tried to stay shattered but we just got better.
We grew adept, we caught the fish as they fled.
We skinned the fish, our knife clicked like an edict.
We were harmed, and then we healed.
Raymond McDaniel is the author of the National Poetry Series
award-winning collection Murder (a violet). A Floridian, McDaniel now
lives in Ann Arbor, teaches at the University of Michigan, hosts the
reading series at Shaman Drum Bookshop, and writes for The Constant
Critic.