With near-mythical forests of birch and pine, the Nordic and Baltic
countries boast a rich tradition of religious wood carving that is in
many ways emblematic of their cultures. Sacred to the Touch examines
the spiritual and intellectual projects of six twentieth- and
twenty-first-century artists who have adapted and revitalized this
tradition. Through interviews and analyses, folklorist Thomas A. DuBois
explores the notions of continuity with the past that these artists seek
to express through their art, examining the forest church of late
Finnish artist Eva Ryynänen, the carvings of Norwegian Americans Phillip
Odden and Else Bigton that decorate a planned replica of a stave church
in Southern California, the medieval Catholic-rooted work of Lutheran
Sister Lydia Mariadotter (Swedish), the grave markers and roadside
figures of Algimantas Sakalauskas (Lithuanian), and the merging of
Lutheran and pre-Christian traditions by Lars Levi Sunna (Sámi). With
color photographs and detailed descriptions, Sacred to the Touch
reveals the interplay of tradition with personal and communal identity
that characterize modern religious carving in Northern Europe.