Erich Hörl's Sacred Channels is an original take on the history of
communication theory and the cultural imaginary of communication
understood through the notions of the sacred and the primitive. Hörl
offers insight into the shared ground of anthropology and media theory
in the nineteenth and twentieth centuries and presents an archeology of
the philosophy of technology that underpins contemporary culture. This
singular and unique project focuses on the ethnological disciplines and
their phantasmatic imaginations of a prealphabetical realm of the sacred
and the primitive but reads them in the context of media cultural
questions as epistemic unconscious and as projections of the emerging
postalphabetical condition. Drawing inspiration from work by the likes
of Friedrich Kittler, Hörl's understanding of cybernetics in the
post-World War II interdisciplinary field informs a rich analysis that
is of interest to media scholars and to anyone seeking to understand the
historical and theoretical underpinnings of the humanities in the age of
technical media.