A study of a key modernist form, its theory, practice and legacy
What do we know today about the theatrical ferment caused by the
scandalous group of Russian writers, artists, musicians and theatre
makers who called themselves 'Futurists'? What can we learn from their
iconoclastic and exciting theatre works?
Underpinned by theoretical writings, manifestoes and demonstrations,
Russian Futurist Theatre explores one of the most brilliant but least
documented theatre explosions of the last 100 years. It is the first
book to comprehensively uncover the Russian futurist theatre in all its
virtuosity and diversity. Revealing a wealth of extraordinary theatre
work and a barely-known group of theatre practitioners the book finds
new ways to explore the interface between literature, theory and
performance.
Key Features
- Explores the development of post-Romantic epic theatre and the
exploration of abstract and alogical performance
- Discusses major practitioners' working methods as well as obscure
practitioners related to major figures like Vsevolod Meyerhold
- Analyses how Futurist theatre was strangled by Stalinism and
'disappeared'
- Explores the influence of Russian Futurist theatre on significant
contemporary theatre practice