Published on the occasion of Rudolf Polanszky's first exhibition with
Gagosian, this publication highlights recent paintings and sculptures by
the Viennese artist.
Rudolf Polanszky's cerebral and uniquely multidisciplinary work embraces
the chance occurrences that arise throughout the creative process. The
recent works presented in this volume exemplify the canvas-mounted and
floor-based assemblages that he has been developing since the 1990s. To
make his richly textured assemblages, Polanszky shatters and recombines
salvaged industrial materials--including acrylic glass, aluminum,
silicone, and wire--into purely aesthetic forms, freeing them of their
original contexts.
An essay by Francesco Stocchi considers the artist's work in relation to
the concept of the void, while a conversation with the artist by
Hans-Ulrich Obrist offers an overview of Polanszky's career. These
illuminating texts are accompanied by full-color plates, ample rich
details, and photographs of the artist at work in his studio.