Queen Victoria was one of the most complex cultural productions of her
age. In Royal Representations, Margaret Homans investigates the
meanings Victoria held for her times, Victoria's own contributions to
Victorian writing and art, and the cultural mechanisms through which her
influence was felt.
Arguing that being, seeming, and appearing were crucial to Victoria's
"rule," Homans explores the variability of Victoria's agency and of its
representations using a wide array of literary, historical, and visual
sources. Along the way she shows how Victoria provided a deeply
equivocal model for women's powers in and out of marriage, how
Victoria's dramatic public withdrawal after Albert's death helped to
ease the monarchy's transition to an entirely symbolic role, and how
Victoria's literary self-representations influenced debates over
political self-representation.
Homans considers versions of Victoria in the work of Elizabeth Barrett
Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll,
Alfred Lord Tennyson, and Julia Margaret Cameron.