Since they shot her at point-blank range while she was being kissed, she
confused the pain of love with that of death. Rosario Tijeras is the
violent, violated character at the center of Jorge Franco's study of
contrasts, set in self-destructing 1980s Medellín. Her very name-evoking
the rosary, and scissors-bespeaks her conflict as a woman who becomes a
contract killer to insulate herself from the random violence of the
streets. Then she is shot, gravely wounded, and the circle of
contradiction is closed.
From the corridors of the hospital where Rosario is fighting for her
life, Antonio, the narrator, waits to learn if she will recover. Through
him, we reconstruct the friendship between the two, her love story with
Emilio, and her life as a hitwoman.
Rosario Tijeras has been recognized as an admirable continuation of a
literary subject that was first treated by Gabriel García Márquez and
then by Fernando Vallejo. A work in the Latin American social realist
tradition, Rosario Tijeras is told in fast and vibrant prose and with
poetic flourish.