Romare Bearden (1911-1988), one of the most prolific, original, and
acclaimed American artists of the twentieth century, richly depicted
scenes and figures rooted in the American South and the Black
experience. Bearden hailed from North Carolina but was forced to
relocate to the North when a white mob harassed his family in the 1910s.
His family story is a compelling, complicated saga of Black middle-class
achievement in the face of relentless waves of white supremacy. It is
also a narrative of the generational trauma that slavery and racism
inflicted over decades. But as Glenda Gilmore reveals in this trenchant
reappraisal of Bearden's life and art, his work reveals his deep
imagination, extensive training, and rich knowledge of art history.
Gilmore explores four generations of Bearden's family and highlights his
experiences in North Carolina, Pittsburgh, and Harlem. She engages
deeply with Bearden's art and considers it as an alternative archive
that offers a unique perspective on the history, memory, and collective
imagination of Black southerners who migrated to the North. In doing so,
she revises and deepens our appreciation of Bearden's place in the
artistic canon and our understanding of his relationship to southern,
African American, and American cultural and social history.