A new take on an eclectic and controversial director
James Morrison's critical study offers a comprehensive and critically
engaged treatment on Roman Polanski's immense body of work. Tracing the
filmmaker's remarkably diverse career from its beginnings to 2007, the
book provides commentary on all of Polanski's major films in their
historical, cultural, social, and artistic contexts. Morrison locates
Polanski's work within the genres of comedy and melodrama, arguing that
he is not merely obsessed with the theme of repression, but that his
true interest is in the concrete--what is out in the open--and why we so
rarely see it.
The range of Polanski's filmmaking challenges traditional divisions
between high and low culture. For example, The Ninth Gate is a brash
pastiche of the horror genre, while The Pianist is an Academy
Award-winner about the Holocaust. Dubbing Polanski a relentless critic
of modernity, Morrison concludes that his career is representative of
the fissures, victories, and rehabilitations of the last fifty years of
international cinema.
A volume in the series Contemporary Film Directors, edited by James
Naremore