For four decades, Roger Shimomura's paintings, prints, and theatre
pieces have addressed sociopolitical issues of Asian America. He does
this through a style that combines his childhood interest in comic
books, American Pop Art, and traditions of Japanese woodblock prints,
thereby evoking his Japanese ancestry while locating him firmly within
modern American artistic developments. Through this artistic device, he
is able to bring together a wild mixture of compositions that offer up
patterns of criticism within visually compelling works of sumptuous
color and lighthearted Pop directness.
In his recent work, under the banner, An American Knockoff (2009 to the
present), Shimomura has taken on the long tradition of self-portraiture
through the radical lens of cultural conflict. Two thematic directions -
assimilation and resistance - are often fused together as the artist
inserts himself as an aging Asian Everyman in various guises and
situations, both funny and poignant.