This thoroughly revised third edition of Allan F. Moore's
ground-breaking book, now co-authored with Remy Martin, incorporates new
material on rock music theory, style change and the hermeneutic method
developed in Moore's Song Means (2012). An even larger array of
musicians is discussed, bringing the book right into the 21st century.
Rock's 'primary text' - its sounds - is the focus of attention here. The
authors argue for the development of a musicology particular to rock
within the context of the background to the genres, the beat and rhythm
and blues styles of the early 1960s, 'progressive' rock, punk rock,
metal and subsequent styles. They also explore the fundamental issue of
rock as a medium for self-expression, and the relationship of this to
changing musical styles. Rock: The Primary Text remains innovative in
its exploration of an aesthetics of rock.