First published in France in 1958, then in the United States in 1959,
Robert Frank's The Americans changed the course of 20th-century
photography
First published in France in 1958, then in the United States in 1959,
Robert Frank's The Americans changed the course of twentieth-century
photography. In 83 photographs, Frank looked beneath the surface of
American life to reveal a people plagued by racism, ill-served by their
politicians and rendered numb by a rapidly expanding culture of
consumption. Yet he also found novel areas of beauty in simple,
overlooked corners of American life. And it was not just Frank's subject
matter--cars, jukeboxes and even the road itself--that redefined the
icons of America; it was also his seemingly intuitive, immediate,
off-kilter style, as well as his method of brilliantly linking his
photographs together thematically, conceptually, formally and
linguistically, that made The Americans so innovative. More of an ode
or a poem than a literal document, the book is as powerful and
provocative today as it was 56 years ago.