A now classic text on the art, Why People Photograph gathers a
selection of essays by the great master photographer Robert Adams,
tackling such diverse subjects as collectors, humor, teaching, money and
dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura
Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams,
Dorothea Lange, and Eugène Atget. The book closes with two essays on
"working conditions" in the nineteenth- and twentieth-century American
West, and the essay "Two Landscapes." Adams writes: At our best and most
fortunate we make pictures because of what stands in front of the
camera, to honor what is greater and more interesting than we are.