Penned by one of America's best-known daily theatre critics and
organized chronologically, this lively and readable book tells the story
of Broadway's renaissance from the darkest days of the AIDS crisis, via
the disaster that was Spiderman: Turn off the Dark through the
unparalleled financial, artistic and political success of Lin-Manuel
Miranda's Hamilton.
It is the story of the embrace of risk and substance. In so doing, Chris
Jones makes the point that the theatre thrived by finally figuring out
how to embrace the bold statement and insert itself into the national
conversation - only to find out in 2016 that a hefty sector of the
American public had not been listening to what it had to say.
Chris Jones was in the theatres when and where it mattered. He takes
readers from the moment when Tony Kushner's angel crashed (quite
literally) through the ceiling of prejudice and religious intolerance to
the triumph of Hamilton, with the coda of the Broadway cast addressing
a new Republican vice-president from the stage. That complex
performance - at once indicative of the theatre's new clout and its
inability to fully change American society for the better - is the final
scene of the book.