Rina is a defector from a country that might be North Korea, traversing
an "empty and futile" landscape. Along the way, she is forced to work at
a chemical plant, murders a few people, becomes a prostitute, runs a
lucrative bar, and finds a solace in a motley family of wanderers all as
disenfranchised as she. Brutal and unflinching, with elements of the
mythic and grotesque interspersed with hard-edged realism, Rina is a
pioneering work of Korean postmodernism.