An incisive and intimate account of the life and work of the great
poet Rilke, exploring the rich interior world he created in his poetry
When Rilke died in 1926, his reputation as a great poet seemed secure.
But as the tide of the critical avant-garde turned, he was increasingly
dismissed as apolitical, as too inward.
In Rilke: The Last Inward Man, acclaimed critic Lesley Chamberlain
uses this charge as the starting point from which to explore the
expansiveness of the inner world Rilke created in his poetry.
Weaving together searching insights on Rilke's life, work and reception,
Chamberlain casts Rilke's inwardness as a profound response to a world
that seemed ever more lacking in spirituality.
In works of dazzling imagination and rich imagery, Rilke sought to
restore spirit to Western materialism, encouraging not narrow
introversion but a heightened awareness of how to live with the world as
it is, of how to retain a sense of transcendence within a world of
collapsed spiritual certainty.