An incisive and intimate account of the life and work of the great
poet Rilke, exploring the rich interior world he created in his poetry
When Rilke died in 1926, his reputation as a great poet seemed secure.
But as the tide of the critical avant-garde turned, he was increasingly
dismissed as apolitical, the angels and roses of his poems deemed
irrelevant.
In Rilke: The Last Inward Man, acclaimed writer Lesley Chamberlain
uses this charge as the starting point from which to explore the
expansiveness of the inner world Rilke created in his poetry.
Weaving together searching insights on Rilke's life, work, and
reputation, Chamberlain casts the poet's inwardness as a profound
response to a world that seemed to be losing its spirituality.
In works of dazzling imagination and rich imagery, Rilke sought to
restore value to Western materialism, encouraging not narrow
introversion but the cultivation of a new sensibility in a secular world
after the death of God.