This is the first truly interdisciplinary collection devoted to the
legacy of Richard Wagner to merge insights from Musicology and Music
Theory with explorations of the composer's vast socio-cultural impact
from such fields as History, German, and Disability Studies. The wide
ranging topics include Glenn Gould's piano transcriptions, the value of
naming musical themes in the music dramas, the status of Wagner in
Israel, and the assignment of "Jewish" characteristics in both Wagner's
music and polemics and, in recent years, to his descendant, musicologist
Gottfried Wagner. Contributors include Robert Gauldin, Warren Darcy,
Marc Weiner, and Paul Rose.