'Provides a compelling argument for Plath's revision of the painful
parts of her life--the failed marriage, her anxiety for success, and her
ambivalence towards her mother. . . . The reader will feel the tension
in the poetry and the life.'Choice '[Examines] Plath's twin goals of
becoming a famous poet and a perfect mother. . . . This book's main
points are clearly and forcefully argued: that both poems and babies
require 'struggle, pain, endless labor, and . . . fears of monstrous
offspring' and that, in the end, Plath ran out of the resources
necessary to produce both. Often maligned as a self-indulgent
confessional poet, Plath is here retrieved as a passionate
theorist.'--Library Journal Susan Van Dyne's reading of twenty-five of
Sylvia Plath's Ariel poems considers three contexts: Plath's journal
entries from 1957 to 1959 (especially as they reveal her conflicts over
what it meant to be a middle-class wife and mother and an aspiring
writer in 1950s America); the interpretive strategies of feminist
theory; and Plath's multiple revisions of the poems.