"Every poet has one or two compulsive themes," writes Leonard Nathan.
"One of mine is how to make things fit together that don't but should;
the other is getting down far enough below a surface to see if something
is still worth praising. Over the years and without self-consciously
trying. I have moved closer and closer to the human voice in my verse.
But I have also tried to keep a quality in it--for lack of a better
word, I call it eloquence--that makes it more than conversation. My hope
is to be clear, true, and good listening."
Originally published in 1975.
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