The "Wu Family Shrines" pictorial carvings from Han dynasty China (206
BCE-220 CE) are among the earliest works of Chinese art examined in an
international arena. Since the eleventh century, the carvings have been
identified by scholars as one of the most valuable and authentic
materials for the study of antiquity. This important book presents
essays by archaeologists, art and architectural historians, curators,
and historians that reexamine the carvings, adding to our understanding
of the long cultural history behind them and to our knowledge of Han
practices.
The authors offer a thorough analysis of surviving physical and visual
sources, invoking fresh perspectives from new disciplines. Essays
address the ideals, practices, and problems of the "Wu Family Shrines"
and Han China; Han funerary art and architecture in Shandong and other
regions; architectural functions and carved meanings; Qing Dynasty
Reception of the Wu Family Shrines; and more.