What is Restoration comedy? What pleasure does it offer its audience,
and what significance does it find in exploring that pleasure? Edward
Burns here provides a new account of the origins and nature of
Restoration comedy as a distinct genre. The book enlarges the usual
focus with a wider range of writers than the conventional ossified canon
taking in a revaluation of many rarely studied dramatists, a
reconsideration of pastoral, and the instatement of women writers as
major contributors to the culture of the age. It offers a substantial
and original interpretation of one of the most intriguing of
seventeenth-century literature forms.