In Resonant Matter, Lutz Koepnick considers contemporary sound and
installation art as a unique laboratory of hospitality amid inhospitable
times. Inspired by Ragnar Kjartansson's nine-channel video installation
The Visitors (2012), the book explores resonance-the ability of
objects to be affected by the vibrations of other objects-as a model of
art's fleeting promise to make us coexist with things strange and other.
In a series of nuanced readings, Koepnick follows the echoes of distant,
unexpected, and unheard sounds in twenty-first century art to reflect on
the attachments we pursue to sustain our lives and the walls we need to
tear down to secure possible futures. The book's nine chapters approach
The Visitors from ever-different conceptual angles while bringing it
into dialogue with the work of other artists and musicians such as
Lawrence Abu Hamdan, Guillermo Galindo, Mischa Kuball, Philipp
Lachenmann, Alvien Lucier, Teresa Margolles, Carsten Nicolai, Camille
Norment, Susan Philipsz, David Rothenberg, Juliana Snapper, and Tanya
Tagaq. With this book, Koepnick situates resonance as a vital concept of
contemporary art criticism and sound studies. His analysis encourages us
not only to expand our understanding of the role of sound in art, of
sound art, but to attune our critical encounter with art to art's own
resonant thinking.