Realism has been held up to scorn for its perceived attachment to
linguistic transparency?the sense that an image can reveal the full
truth of the situation or object it depicts. This skepticism was
extended in the late 20th century with the rise of conceptual art and
the development of critiques that proposed that, in a world pervaded
with spectacular images, the task of the artist should be to deconstruct
the systems through which images flow and provide critical
considerations of the ways images act upon us. Residue: The Persistence
of the Real is comprised of work that draws upon a documentary impulse
and pursues the real as something that cannot be entirely reduced to
representation, while at the same time acknowledging the mediating
character of the mechanisms that shape perception. The book presents
recent work in a variety of media?including photography, video and
installation?by nine artists from Vancouver and elsewhere.