Representing Renaissance art, c.1500-c.1600 is a study of change and
continuity in the iconographies of art and the visual representation of
artists during the sixteenth century, especially in Italy and the
Netherlands.
The issue of how, and how far, artists obtained higher status for their
profession during the Renaissance is a key question for the study of the
early modern period. This book considers the maintenance of
well-established traditions for the visual representation of artists,
and also examines the new iconographies that emerged in the sixteenth
century.
By highlighting art and architecture that artists designed for their
personal use, including the decoration of their houses, this study
provides insight into the tastes and 'ways of looking' specific to
artists. By examining the visual evidence we see the opinions both of
artists who expressed their views in literary texts, and additionally
those of artists who did not publish their ideas in written form.