This book is about the historical moment when writers and critics first
used the term "realism" to describe representation in literature and
painting. While scholarship on realism tends to proceed from an
assumption that the term has a long-established meaning and history,
this book reveals that mid-nineteenth-century critics and writers first
used the term reluctantly, with much confusion over what it might
actually mean. It did not acquire the ready meaning we now take for
granted until the end of the nineteenth century. In fact, its first
definitions came primarily by way of example and analogy, through
descriptions of current practitioners, or through fictionalized
representations of artists. By investigating original debates over the
term "realism," this book shows how writers simultaneously engaged with
broader concerns about the changing meanings of what was real and who
had the authority to decide this.