The present study serves to explore the relationships between cities and
literature by addressing the issues of space, time, and modernity in
four works of fiction, Lao She's Luotuo xiangzi (Camel Xiangzi, aka
Rickshaw Boy), Mao Dun's Ziye (Midnight), Ba Jin's Han ye (Cold nights),
and Zhang Ailing's Qingcheng zhi lian (Love in a fallen city), and the
four cities they depict, namely Beijing, Shanghai, Chongqing, and Hong
Kong, respectively. In this book I analyze the depictions of the cities
in the four works, and situate them in their historical and geographical
contexts to examine the characteristics of each city as represented in
the novels. In studying urban space in the literary texts, I try to
address issues of the "imaginablity" of cities to question how physical
urban space intertwines with the characters' perception and imagination
about the cities and their own psychological activities.