Although repetition is found in all ancient literary genres, it is
especially pervasive in epic poetry. Ovid's Metamorphoses exploits
this dimension of the epic genre to a great extent; past critics have
faulted it as too filled with recycled themes and language. This volume
seeks a deeper understanding of Ovidian repetitiveness in the context of
new scholarship on intertextuality and intratextuality, examining the
purposeful reuse of previous material and the effects produced by a
text's repetitive gestures.
A shared vision of the possibilities of Latin epic poetry unites the
essays, as does a series of attempts to realize those opportunities.
Some of the pieces represent a traditional vein of allusion and
intertextuality; others are more innovative in their approaches. Each,
in a sense, stands as a placeholder for a methodology of theorizing the
repetitive practices of poetry, of epic, and of Ovid in particular.
Contributors: Antony Augoustakis, Neil W. Bernstein, Barbara Weiden
Boyd, Andrew Feldherr, Peter Heslin, Stephen Hinds, Sharon L. James,
Alison Keith, Peter E. Knox, Darcy Krasne