This monograph offers a cutting edge perspective on the study of Chinese
film stars by advancing a "linguaphonic" model, moving away from a
conceptualization of transnational Chinese stardom reliant on the
centrality of either action or body. It encompasses a selection of
individual personalities from the most iconic Bruce Lee, Michelle Yeoh,
and Maggie Cheung to the not-yet-full-fledged Takeshi Kaneshiro, Jay
Chou, and Tang Wei to the newest Fan Binging, Liu Yifei, Wen Ming-Na,
and Sammi Cheng who are exemplary to the star-making practices in the
designated sites of articulations. This volume notably pivots on
specific phonic modalities - spoken forms of tongues, manners of
enunciation, styles of vocalization -- as means to mine ethnic and
ideological underpinnings of Chinese stardom. By indicating a
methodological shift from the visual-based to aural-based vectors, it
asserts the phonic as a legitimate bearing that can generate novel vigor
in the reimagination of Chineseness. By exhausting the critical
affordability of the phonic, this book unravels the polemics of
visuality and aurality, body and voice, as well as onscreen personae and
offscreen existence, remapping the contours of the ethnic fame-making in
the global mediascape.