Remediating Sound studies the phenomena of remixing, mashup and
recomposition: forms of reuse and sampling that have come to
characterise much of YouTube's audiovisual content. Through
collaborative composition, collage and cover songs to reaction videos
and political activism, users from diverse backgrounds have embraced the
democratised space of YouTube to open up new and innovative forms of
sonic creativity and push the boundaries of audiovisual possibilities.
Observing the reciprocal flow of influence that runs between various
online platforms, 12 chapters position YouTube as a central hub for the
exploration of digital sound, music and the moving image. With special
focus on aspects of networked creativity that remain overlooked in
contemporary scholarship, including library music, memetic media,
artificial intelligence, the sonic arts and music fandom, this volume
offers interdisciplinary insight into contemporary audiovisual culture.